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Ada, a family chronicle | |||||||||
Villa Venus (The garden of delights) | |||||||||
boudoir for video and ondes Martenot | |||||||||
by Fanny & Alexander and Zapruder Filmmakersgroup |
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Ada. Van. Ada. Vaniada. Nobody. The hero and the heroine should be so near before horror begins, so organically near to overlap, to intersect, to tear themselves apart, and even if Vaniada’s end is described in the epilogue, we, spectators, should not be able to make out (short-sighted, short-sighted) who really survives, if Dava or Vada, Anda or Vanda. It is an installation for video and ondes Martenot, characterized by the use of a plasma screen and a live musical execution, the evocative and deeply allusive sound of the ondes Martenot. The theme of jealousy and betrayal, as an obsessive and impossible recomposition of the beloved image, is developed from a privileged position where limits are extreme: the old age, the blissful decrepitude of the two protagonists. The decrepit image’s research, carried out by digital technologies, assumes a look of hoaxing in its iconic (and at the same time hyperrealistic) rendering of the lovers’ faces. The emblematical old age is both the presupposition and the counterpart of the whorehouse’s images, tricky themselves too. Starting from the mimetic use of some pornographic videos dating back to the ‘70s, the audience can set out to make its detective inquiry, where traces are just appearance, and the finale will just lead to the beginning of the story again. |
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Tournée | |||||||||
10, 11, 12 June 2003 22, 23 January 2004 27 July 2004 5 February 2005 12 April 2005 14, 15 June 2005 22, 23, 24, 25, 26, 27, 28, 29, 30 July 2005 22, 24 June 2006 13 - 29 May 2011 |
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The other episodes Ardis I | Ardis II | Rebus per Ada | Adescamenti | Aqua Marina | Vaniada | Lucinda Museum | Promenada |
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