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concept Luigi de Angelis and Chiara Lagani
direction Luigi de Angelis
dramaturgy Chiara Lagani
set and lighting design Luigi de Angelis and Antonio Rinaldi
sound devices Mirto Baliani
costumes Chiara Lagani and Sofia Vannini
metric and vocal training Marco Cavalcoli
photography Enrico Fedrigoli
with Filip Bilsen, Maarten Goffin, Mauro Milone
voices Alessandro Argnani, Chiara Lagani
scenographical atelier: direction Antonio Rinaldi, participants Elisa Eusebi, Elisa Martinetti, Francesca Merciari, Roberta Strada, Sofia Vannini,with Paolo Carrioli, Giovanni Cavalcoli, Marco Fellini and Marco Molduzzi
tailoring Laura Graziani Alta Moda with Sofia Vannini
electrotechnical advice Andrea Catalano
catering Valentina Ciampi and Marco Molduzzi with Anna Maria Bollettieri, Maria Antonietta d'Errico, Loretta Masotti
promotion Valentina Ciampi and Marco Molduzzi with the cooperation of Ifat Nesher for Canvas Management and Giusi Tinella for ONDA
press office Marco Molduzzi
logistics and web editing Sergio Carioli
administration Antonietta Sciancalepore, Marco Cavalcoli
production Fanny & Alexander, STUK Kunstencentrum, Het Toneelhuis, Drodesera>Centrale Fies
with thanks to Catherine Boving, Caterina Crepax, Maarten de Pourcq, Koen De Preter, Enrico Fedrigoli, Laura Graziani, Elisabetta Gulli Grigioni, Geert Hellemans, Gerardo Lamattina, An-Marie Lambrechts, Idolina Landolfi, Caterina Marrone, Giancarlo Nanni and Teatro Vascello in Rome, Paula Noah de Angelis, Venerina Panzavolta, Rodolfo Sacchettini, Luc Van der Stockt, Toon Van Hal, Museo Carlo Zauli in Faenza, Nadia Ranocchi and David Zamagni, Rocco Zuffa
with special thanks to Roberto Magnani
The impossible languages "spoken" in the show are taken from or inspired by some literary and/or historical impossible languages: the tiptostenography of the man Tommy ("Nuove rivelazioni della psiche umana. L'uomo di Mannheim" by Tommaso Landolfi), the Solresol by Jean François Sudre, the poetic language for stammerers of potential literature (the echo verse of "Poétique curieuse" by Brunet). The final acoustic frame, "Aga magéra difùra", is an homage to the beautiful, damned language of Y. from "Dialogo dei massimi sistemi", by Tommaso Landolfi.